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Rapture of the Deep
The Highway Star

REVIEWS
Daniel Bengtsson
Tracy Heyder
Benny Holmström
Andrzej Janiak
Svante Pettersson
Daniel Reichberg
The Aviator
DPAS Preview

THE COVER
Ioannis talks about the cover
Cover scans

Lyrics

Promo pics

Buy the album

Index

"The organ solo IS Lord, except it's Airey"
Daniel Reichberg offers his view on the new Deep Purple album

After three excursions of the Deep, here are my thoughts:

Money Talks: An odd, distorted organ intro leads way to a song a little reminiscent of "The Battle Rages On" - song and album.

Girls Like That: A very typical soft-Morse intro, then a song which is Gillan A LOT. His screams sound shit, though. Reminds me of "69" and "Cascades".

Wrong Man: Very typical of latter-day Purple. One of the weakest.

Rapture of the Deep: An epic with fantastic Arabic riffs and melodies which bite into your heart, slowly but surely. Brilliant co-play Morse/Airey. This song would have benefited from a longer format than it's six minutes, and it's obvious that it'll be magical live on stage. Possibly the album's top song.

Clearly Quite Absurd: Beautiful ballad, no hard rock/metal at all. Melancholy melodies which suit Ian's mature voice perfectly.

Don't Let Go: Another thoroughly typical one, except it's lovely electric piano solo.

Back to Back: Trad Purple again, but somewhat better, thanks to the exquisite synth lines.

Kiss Tomorrow Goodbye: Heavy tune to a "Bo Diddley" rhythm. Vitriolic Gillan at his best. One of the better, without a doubt.

MTV: Wonderful! Ian Gillan kills commercial radio off in a very cool song full of old time Purple stuff. The organ solo IS Lord, except it's Airey.

Junkyard Blues: Pleasant chorus, odd solo parts. Very much alive. Not a twelve-bar blues as such, but rather a swinging rocker.

Before Time Began: Deep Purple have never done anything like this before. I feel the vibes of David Bowie with some touches of Led Zeppelin's "I'm Gonna Crawl"but still not. Tremendously atmospheric with march drums, soft electric guitars, synths and an up-front bass. But then it get's heavy andwell, hard to describe!

Conclusion: Great record except two songs dragging it down a bit. Ian Gillan has come to terms with his "new voice", his lyrics are fabulous, Glover is clearly audiable throughout, and Morse/Airey is a marriage made in Paradise. Perhaps a too laid-back Ian Paice, though.

Daniel Reichberg


Daniel Reichberg is a Swedish journalist who can be seen from time to time in Sweden Rock Magazine. Also look out for him in this year's Sweden Rock Festival DVD.

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