![[hand]](/hs-pics/portraits/hands/gillan4.jpg)
![[face]](/hs-pics/portraits/faces/airey.jpg)
Jon Lord – Gemini Suite
Back in 1969, the lineup of DEEP PURPLE had seen a drastic change: Jon Lord, Ritchie Blackmore and Ian Paice split up with singer Rod Evans and bass player Nick Simper and hired the former EPISODE SIX musicians Ian Gillan and Roger Glover to complete the lineup.
One of the first shows to feature the new lineup was the live performance of Jon Lord’s „Concerto For Group and Orchestra“, an ambitious work to unite the different worlds of a rock band and a full orchestra which lay the foundation for Jon Lords career as composer / writer and solo artist. About a year later, the follow-up of the „Concerto“ faced the light of day during a live performance at the Royal Festival Hall, again featuring his DEEP PURPLE bandmates and conductor Malcolm Arnold.
Contrary to the „Concerto“, which took more than 40 years to be recorded in a studio, Jon Lord went to the studio in 1971 to record „Gemini Suite“ as a studio project. At that time, the rock career of DEEP PURPLE was in full flight and Ian Gillan and Ritchie Blackmore showed no interest in participating in the recording and were replaced by guitar player Albert Lee , multi talented Tony Ashton and singer Yvonne Elliman.
While the „Concerto“ had its focus on band and orchestra as a whole, „Gemini Suite“ did focus on the different instruments, dedicating a track to guitar, piano, drums, vocals bass guitar and organ respectively.
The first CD release was a straight release in 1987 on Line Records in Germany being the only official (and now long deleted) version until the remastered release on Purple Records more than 20 years later. The 2016 release is not based on any of those previous versions and features new artwork and a new remaster by Rob Cass, based on the original stereo mixes of the album.
Not owning the 2008 remaster, a comparison with the 1987 release shows quite some improvement in sound quality with more details being audible than on the original CD release. Luckily, the remaster doesn’t follow the popular trend of brick-walling every track and preserves the dynamics and overall feel of the original recording. The booklet gives no explaination why the original artwork has been dropped and was replaced by completely new design, but the new foreword by Roger Glover adds some enjoyable pages to the booklet.
Only thing to criticize is the record company did not use a proper Digipak for the release and decided to go with some LP-like fold-out papersleeve instead, resulting in your CD getting the first fingerprints and scratches before even being played.
Unauthorized copying, while sometimes necessary, is never as good as the real thing
The question is: is it fair to release another remastered edition when it was already released in 2008? I already bought the 2008 edition thinking it’s gonna be the ultimate one. I waited many, many years for a proper CD edition of the album. And now, few years later there’s another one out with additional RG foreword (which is a treat for any Purple fan) and a new mastering (does it really differ in any way from the 2008 edition)? So now what? I’d love to have a new edition with RG’s foreword but I already paid for the album in 2008. Someone wants to cash in. That’s all I can say. Sad but true.
December 5th, 2016 at 10:57Dave
I missed out on the 2008 edition. I do have the original LP and CD from when it was first released on CD
Can you tell me something about it?
December 6th, 2016 at 12:37Is there extra art work or bonustracks?
Btw, why did they change the cover?