Released in 1993, this CD (VSOP CD 183) combines Glover's post-Purple concept album from '78 Elements with his post-Rainbow album The Mask.
Moving to the opposite extreme of The Butterfly Ball which consisted of short, commercial tracks, The Mask comprises five parts: one for each Element and a finale.
Roger commented recently:
I wrote [the poem] it about a year before the album. The album
came about because I'd been wanting to do an album for a while but kept
putting it off. The only way I'd get it done would be to actually book the
time and then I wouldn't have an excuse. So this I did, went to Musicland
with Simon and Mickey Lee and spent a week laying down tracks over which I
was going to sing, with a little help from Liza Strike and Helen Chapelle who
were due to arrive a week later. What happened was I got cold feet when it
came to my singing and abandoned the idea. Rather than go home and forfeit
the studio time and musicians I'd already paid for, I decided to try
something really off the cuff, not to mention off the wall, based on that
strange poem.
It was exhilerating actually, not knowing what I was going to
do (or not knowing what I was doing) and just forcing myself to come up with
something in the hour or so before the rest of them came into the studio each
day. My only credo was that I really didn't want to use the electric
guitar; I'd had enough of it and I reasoned that it should be possible to
make dramatic music without that crutch. It's a matter of conjecture
whether I succeeded or not, but if one went by record sales then I'd have to
admit that I didn't. Only one piece of music survived from the earlier
abandoned recordings and that was used for the third section (water).
There two other musicians that I would mention: Ronnie Aspery, the sax
player from Back Door who sometime later gave me the unforgettable quote when
I asked him what he'd been up to and he replied that he'd had enough of doing
sessions and was writing more, saying, "I'd rather be an architect than a
bricklayer." The other one is Graham Preskett, a super bloke and musician
who orchestrated my ideas with a great deal of talent and zeal, and who sang
whilst playing the electric violin. I'm indebted to everyone who appeared
on that album, not the least of whom was Martin Birch, they gave me a lot of
support when I needed it most.
Unfortunately, the punchy single The Mask and the album got lost against the Purple reunion, so I'd say now would be a good time to go back and listen to some damn fine tracks and bring up some flashbacks of the early eighties!
Oh, and Roger's vocals are pretty good too.