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Doing nostalgia for Australians

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In anticipation of his Australian tour, Glenn Hughes recently spoke to The Rockpit:

Andrew : How did you find working with Blackmore? At that stage he was moving more towards a classical style that has distinctively become his over the years.

Glenn : Ok Andrew, let’s talk Turkey here. The Holy Trinity, in my opinion of the early 70s, was Blackmore, Beck and Clapton and then of course, Tony Iommi. I joined the band with John Lord and Ian Pace and Blackmore, who was a very strong soloist as well. It was a different thing for me to do. As i mentioned to you before it worked because they didn’t want to replicate Mark II. Why would they want to have somebody sounding like Ian Gillan or somebody playing bass like Roger Glover? It wasn’t working to them any longer. David and I came in and refreshed the band.

Andrew : Working with a young unknown at that stage in David Coverdale what was that like? What did you find that he brought to the band and especially “Burn”?

Glenn : When he passed the audition they didn’t tell him for like two weeks they kept him waiting. When they did get a hold of him, David came down to see me at my house and we became very fast friends as we were going to be singing these songs together, so my friendship has been very good with him from all these years ago. He’s got a great voice, he is a funny guy and again Andrew, I think the vocal arrangement and the partnership we had vocally on the “Burn” album, “Stormbringer” and “Come Taste the Band” is exceptional.

Read more in The Rockpit.

In other Glenn related news, his former guitar player JJ Marsh is releasing a new album with a project The Master´s Brew, led by keyboard player Tomas Bodin (of The Flower Kings fame). The album is called Elixir, and you can find more information on bodinmusic.com.

Thanks to BraveWords for the heads-up on Glenn’s interview, and to Pär for the JJ news.



5 Comments to “Doing nostalgia for Australians”:

  1. 1
    Georgivs says:

    JJ’s solos on GH records are great. I also like Bodin’s contributions to the Flower Kings, which bounce nicely off Roine Stolt’s songwriting and playing. Now, their new album is the real news for me as opposed to Glenn’s umpteenth take on what happened back in 1974. I was born in that year, never cared about Glenn’s opinions back then, do not care now.

  2. 2
    Fla76 says:

    Glenn told a sacrosanct truth: surely given the internal tensions in MKII, MKIII was a fresh change at the beginning, the peace was short-lived though…

  3. 3
    MacGregor says:

    Touring Australia again, sheesh it must be all the sunshine & everything else that keeps luring Glenn Hughes out here. Are there that many aficionados out here, well obviously there are & good on Hughes for travelling all this way, not many do for such small concerts, especially repeatedly. I wish he would come down to Van Dieman’s Land. I would most likely kick off me boots & attend. Sorry, Uwe, are you still there, Uwe, wake up, it wasn’t a dream, I did just say that. Hell Freezes Over & even Gregster may attend a concert if Hughes & his band played in Launceston. Sorry for all that shock Uwe. Just have a nice cup of tea & a little siesta, all will be fine. Cheers.

  4. 4
    Uwe Hornung says:

    Nice interview.

    Flash thought: Couldn’t der liebe Gregster go to one of those spoken word shows and casually ask Glenn why he single-handedly ruined Mk III’s and Mk IV’s live performances with all his screaming and was also responsible for Tommy falling into a drug hell? I’d like to hear the answers to that. 😂

    Seriously, when I hear Glenn say that no one in the Purple camp saw Tommy’s addiction issues coming, I always take that with a grain of salt (though Jon and DC have said the same over the years again and again). I think one phone call with Dale Peters or Jim Fox of the James Gang or with ex-Energy Stanley Sheldon (at that point in Peter Frampton’s band) would have been enough – and if they wouldn’t have spilled the beans immediately, then you can still hear between the lines of an answer to a question like “Can we reliably take Tommy on a one year tour around the world in huge venues and will he not fall apart if we do?” By Miami (the second James Gang album from 1974), Tommy’s addictions were well out of control, which was a reason why the rest of the James Gang were not too distraught about his departure, they could see where this was going.

    Moreover, heroin addiction is not incurable, physically you can get someone off smack pretty quick (quicker than with most other similar drugs), it’s the psychological addiction that lingers, that longing for the heroin high that is supposed to feel like an hours-long orgasm, all warm and cozy (that’s what I’ve heard, I’ve never tried it, it’s a description Steven Tyler once made, himself a smack junkie for decades).

    Of course, heroin wasn’t Tommy’s sole demon, no drug was really ever safe from him, he was a multiple-addictive personality.

  5. 5
    Uwe Hornung says:

    I’m happy if you go, Herr MacGregor, seriously. I’d like to hear what you think of his bass playing live. As a drummer you should have a real ear for it (and he’s well up in the mix! 😂).

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