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Descending sequence against that chromatic riff

Steve Morse with his MusicMan Y2D, London, Ontario, Feb 11, 2011; photo © Nick Soveiko cc-by-nc-sa

Steve Morse spoke to the Total Guitar and his interview became the basis for a feature promoting Whoosh, and how the new album harks back right into the classic Purple way of constructing the music:

I’m very proud to be still playing with my British brothers.

Diversity has been a big part of the sound. When you hear Highway Star – it wasn’t just blues. It had that structured element, there was a classical sequence that Jon would arpeggiate through in a descending sequence, against that chromatic riff. They were putting something beyond into a rock piece and turning it into something classical. There’s always been that blend, it’s been a part of Deep Purple for a long time.

It gets a lot more technical after that, so if you can tell your Phrygian Dominants from your arpeggiated chords, you can delve right into it on guitarworld.com. But don’t despair — there are also bits that are accessible for the rest of us.

Thanks to Blabbermouth for the info.

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Posted by Nick on Monday, October 26th, 2020, filed under News. You can follow comment on this post through the RSS 2.0 feed. You can skip to the end and leave a comment. Pinging is currently not allowed.

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