![[hand]](/hs-pics/portraits/hands/morse9.jpg)
![[face]](/hs-pics/portraits/faces/airey3.jpg)
A second single The Last Goodbye from the upcoming Candice Night’s solo album Sea Glass has been released. This is the track with Ritchie Blackmore making a guest appearance on guitar, but lowering your expectations is in order. There are no fiery solos, and his contribution can be described as ‘some acoustic accompaniment’.
Read more »Elizabeth the opera singer is getting her Dio fix by listening to Man on the Silver Mountain, and rather surprisingly, it is the album version.
Read more »In this video, dated December 1979, Ritchie Blackmore makes some noises for a few minutes, eventually settling upon Beethoven’s Ode to Joy. Supported by Messrs. Glover, Airey, and Powell.
Read more »In this instalment of Tales from the Tavern, Ritchie Blackmore plays a tune that he heard in ’64 or ’65. That’d be 1564-65, presumably.
Read more »Louder Sound teases Gillan’s interview appearing in the current (#337) issue of the Classic Rock magazine. The interview largely deals with Gillan the band years, and the teaser is the story that most of us have heard before — of Blackmore trying to recruit Gillan to sing for Rainbow. The reason I had left Deep […]
Read more »Guitar Player reprints online a story of how Ritchie Blackmore got the “loudest amp Marshall ever made”. In his Deep Purple days, Ritchie Blackmore was known for two things: his habit of torturing his Fender Stratocasters and his love of volume. But getting an amp as loud as he wanted took particular skills and talents. […]
Read more »Candice Night’s new solo album Sea Glass will be released on April 25, 2025, vie Edel/earMUSIC. It will be a family affair, with her hubby guesting on one track (The Last Goodbye), and their children appearing on another (Promise Me). Track list: Sea Glass Unsung Hero (She’ll Never Tell) The Line Between Angel And Jezebel […]
Read more »Guitar World has a story about the origins of two-hand tapping guitar technique, and Ritchie Blackmore is indirectly involved. It sounds like something out of one of those corny classic rock-themed parodies of Renaissance paintings. The setting is one of the most famed rock venues of all time, LA’s Whisky a Go Go, and the […]
Read more »Several press clipping that are of a too marginal interest to post them individually. Australian Guitar has a short feature on Hughes/Iommi collaborations on the occasion of recent reissues: “I’ve always liked Glenn,” Iommi says. “We’ve been friends for many years and go way back. I’ve always loved his vocals. When they get older, most […]
Read more »Ritchie Blackmore becomes a grumpy old man and complains about modern times from his basement.
Read more »
Unauthorized copying, while sometimes necessary, is never as good as the real thing