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Music History for Those Who Are Able to Read has a new addition — a reprint of a contemporary review of the original Concerto performance that appeared in October 4, 1969, issue of the New Musical Express. “The gulf remains wide and unabridged.” “Pop and classics just don’t mix… so the pop group had its […]
Read more »This behind-the-scenes documentary on the making of WhoCares single back in 2011 was published a couple of years ago, but somehow have completely slipped under our radar. Until now.
Read more »Another Jon Lord interview from the mu:zines archives. This one is from 1983, originally published in the May issue of Music UK magazine. Once again, this is a pro music magazine, and much of the discussion revolves around equipment and technique. When Jon mentioned that he was still able to take his Hammond out on […]
Read more »Digging deeper into mu:zines archives, there’s this interview with Jon Lord from the time of Before I Forget, published in August 1982 issue of Electronics & Music Maker. On the album ‘Where Are You’ it seems to have a Debussy type ending. Jon Well, again, he is a composer that I used to play quite […]
Read more »Another article originally published in New Musical Express on July 8, 1972. This one is by Tony Norman and based around an interview with Jon Lord that must have been taken, according to the description, during the day on July 1. The question discussed appears to be the rumours of the imminent split of the […]
Read more »Jon Lord’s press conference on September 13, 2003 outside of the Hell train station in Norway, prior to his performance at the Hell Blues Festival, and at the Nidaros Cathedral in Trondheim the next day. Some of you may have seen it (some may have been there), others not.
Read more »The second part of Jon Lord’s feature originally published in New Musical Express on March 13, 1971. Before then he had been proving the perfect interviewee by just talking, making good points, raising sensible arguments and leading me through his career very carefully. I asked him what method the group adopted when it came to […]
Read more »Geir Myklebust continues doing God’s work with posting a New Musical Express feature on Jon Lord originally published on March 6, 1971. Here is how Jon describes the pivotal moment in his musical development: The group changed its name to the Art Woods and Jon bought a Hammond and became influenced by Graham Bond and […]
Read more »A German band called Baroque in Blue lists Jon Lord Tribute among their projects. Their repertoire consists of Purple staples with some Whitesnake and rarities from Jon’s solo output thrown in. The Jon Lord Tribute Project are: Hans Peter Herkenhöhner – Hammond B3, keyboards Karen Fälker-Herkenhöhner – flute Holger Strässer – guitar Wendel Biskup – […]
Read more »July 16 marked 8 years since the passing of late great Jon Lord. Paicey reminisces about his brother in law.
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Unauthorized copying, while sometimes necessary, is never as good as the real thing