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An interview with Jon Lord, published at a critical point in Purple history. It first appeared in New Musical Express on March 17, 1973 — weeks after the release of Made in Japan and Who Do We Thing We Are, yet mere weeks before Mark 2 imploded. One can not help but wonder, did he […]
Read more »Mansion Global reports that a stately country house in Goring-on-Thames, Oxfordshire, once owned by Jon Lord is up for sale. The Burntwood Hall has an eponymous track dedicated to it on Jon’s ’82 Before I Forget album. Today, Kate and Ian Gethin are the owners of the home. They paid a little over £5 million […]
Read more »The Dominus Orchestra (we’ve introduced them last month) is hosting a release party for their live album A concert tribute to Paice Ashton Lord’s – Malice in wonderland. The party will be held in a suburb of Athens on April 30, 2022. Drop by for some fun and frolic if you’re in the neighbourhood. Who: […]
Read more »Dominus Orchestra is a project that is a tribute to all things Jon Lord. It is a brainchild of a Greek musician Panos Politis, who plays the Hammond, piano, and other keyboards, and makes the arrangements. Their latest release is a live tribute to Paice Ashton Lord‘s Malice In Wonderland, recorded in Athens on December […]
Read more »Roger Glover, Bruce Dickinson, et al. tout the upcoming performance of Jon Lord’s Concerto for Group and Orchestra in Hungary.
Read more »Another Rainbow related interview in the Rolling Stone’s Unknown Legends series — this time it’s an in-depth conversation with Bob Daisley, covering his career from a 3 year old listening to his parents’ Frank Sinatra records to the present day and pretty much everything in between. And that’s a lot of everything. Bob has stories […]
Read more »…And once we’re on a Jon bender today, here is another of his long form interviews and a Q&A session. It sounds like this was done in Australia some time early this century.
Read more »Jon Lord would have turned 80 today, June 9. Here he is talking backstage in Hamburg during the Concerto tour in 2000, with Paicey joining the conversation towards the end. Enjoy!
Read more »Music History for Those Who Are Able to Read has a new addition — a reprint of a contemporary review of the original Concerto performance that appeared in October 4, 1969, issue of the New Musical Express. “The gulf remains wide and unabridged.” “Pop and classics just don’t mix… so the pop group had its […]
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Unauthorized copying, while sometimes necessary, is never as good as the real thing