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Dominus Orchestra is a project that is a tribute to all things Jon Lord. It is a brainchild of a Greek musician Panos Politis, who plays the Hammond, piano, and other keyboards, and makes the arrangements. Their latest release is a live tribute to Paice Ashton Lord‘s Malice In Wonderland, recorded in Athens on December […]
Read more »Roger Glover, Bruce Dickinson, et al. tout the upcoming performance of Jon Lord’s Concerto for Group and Orchestra in Hungary.
Read more »Another Rainbow related interview in the Rolling Stone’s Unknown Legends series — this time it’s an in-depth conversation with Bob Daisley, covering his career from a 3 year old listening to his parents’ Frank Sinatra records to the present day and pretty much everything in between. And that’s a lot of everything. Bob has stories […]
Read more »…And once we’re on a Jon bender today, here is another of his long form interviews and a Q&A session. It sounds like this was done in Australia some time early this century.
Read more »Jon Lord would have turned 80 today, June 9. Here he is talking backstage in Hamburg during the Concerto tour in 2000, with Paicey joining the conversation towards the end. Enjoy!
Read more »Music History for Those Who Are Able to Read has a new addition — a reprint of a contemporary review of the original Concerto performance that appeared in October 4, 1969, issue of the New Musical Express. “The gulf remains wide and unabridged.” “Pop and classics just don’t mix… so the pop group had its […]
Read more »This behind-the-scenes documentary on the making of WhoCares single back in 2011 was published a couple of years ago, but somehow have completely slipped under our radar. Until now.
Read more »Another Jon Lord interview from the mu:zines archives. This one is from 1983, originally published in the May issue of Music UK magazine. Once again, this is a pro music magazine, and much of the discussion revolves around equipment and technique. When Jon mentioned that he was still able to take his Hammond out on […]
Read more »Digging deeper into mu:zines archives, there’s this interview with Jon Lord from the time of Before I Forget, published in August 1982 issue of Electronics & Music Maker. On the album ‘Where Are You’ it seems to have a Debussy type ending. Jon Well, again, he is a composer that I used to play quite […]
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Unauthorized copying, while sometimes necessary, is never as good as the real thing