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Hammond organs don’t bend
Well put together documentary on Jon Lord before Deep Purple. It covers in fair detail the evolution of the Art Wood Combo / The Artwoods / St. Valentine’s Day Massacre.
Read more »Concerto in Munich
A performance of Jon Lord’s Concerto for Group and Orchestra was held at the Herkulessaal in Munich on October 12, 2024. Performers included rock band Boxhead and Abaco-Orchestra conducted by Ina Stoertzenbach. Paul Mann and Pete York were in the audience, with Pete York delivering an introductory speech in German, reminiscing about the Windows event […]
Read more »At the controls of a spacecraft
On this slow(ish) news day, we will leave you with a couple of items that the mailman delivered to our trainspotting department. Sir Elton Hercules John writes about the keyboard geniuses who blew his mind for The Guardian. Jon Lord gets a mention: And as the decade progressed, keyboard players progressed too, away from their […]
Read more »And that’s how you lose the Concerto
Nathan and John at the Deep Purple Podcast are celebrating the 25th anniversary of the Concerto for Group and Orchestra resurrection with a couple of episodes. The cherry on top is a bonus podcast with almost an-hour-and-a-half chat with Paul Mann. We highly recommend picking up a time to listen through it.
Read more »As subtle as a flying mallet
Louder Sound reprints a feature from the Classic Rock magazine on Whitesnake’s 1979 Lovehunter album: Working at Clearwell Castle, the 18th-century estate in the Forest Of Dean where Purple had prepped for both Burn and Stormbringer, the band re-hired Purple’s producer of choice, Martin Birch, who had also overseen Trouble, to man the console of […]
Read more »No need for a polyphonic synthesizer
A short interview with Jon Lord, focussing on his gear. It was originally published in Sounds issue from December 4, 1976: Synthesizers JON LORD has been playing electronic keyboards professionally for 12 years, starting with the Hammond C3, which is still a favourite instrument. But like most keyboard players, he has explored synthesisers as a […]
Read more »A lot of presto for your vivace
Classical musician Amy Shafer (we’ve previously featured her take on Child in Time) listens to the Concerto for Group and Orchestra — well, the 3rd movement to be precise — and gives her analysis, praise, and critique of Jon’s opus. It is always interesting to see a fresh look on a familiar piece of music, […]
Read more »Big fat tyres and everything
A 1969 Jaguar E-Type once owned by Jon Lord (in which he drove himself down to Montreux, no less) is up for sale at the Evoke Classics auction site. The starting price is £20,000, and as a carefully restored low mileage classic car it is expected to fetch well into the six digits even without […]
Read more »Communication through horse’s eyes
Paul Mann was interviewed by a Hammond aficionado Nick Foley. In this lengthy chat, they’ve talked about his work with Jon Lord, the Concerto revival and continuing performances, speaking English in Romania, among many, many other things. We highly recommend listening to the whole thing (it is an hour and a quarter long). The man […]
Read more »Is never too much
More Concerto performances have been announced for March/April 2023, this time in the southeast of Europe. These slot nicely just before the Brazilian performances later in April. 15 March – Sala Palatului, Bucharest, ROMANIA 18 March – National Palace Of Culture, Sofia, BULGARIA 22 March – Sports Hall Mirza Delibasic, Sarajevo, BOSNIA-HERZEGOVINA 24 March – […]
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